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"Very good, miss; I'm going," says the woman, and with a last touch to the butter she covers it over with a clean wet cloth and moves to the yard door. The two chickens on the threshold, who have retreated and advanced a thousand times, now retire finally with an angry "cluck-cluck," and once more silence reigns.,

"Because"—the smile has died away now, and she is looking down upon him, as he lies stretched at her feet in the uncertain moonlight, with an expression sad but earnest,—"because, though I am only a farmer's niece, I cannot bear farmers, and, of course, other people would not care for me.",

"Well, but, after all, one can't be much of a friend if one can't sacrifice one's self sometimes for those one loves," says Mrs. Geoffrey, reproachfully. "You would have done it yourself in my place!",

"Yet she would renounce her love, would betray him for the sake of filthy lucre," says Mona, gravely. "I cannot understand that."

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"How pretty that is! Yet I should like you to see me, if only for once, as you have seen others," says Mona.,

"You must have a large heart to include all of them," says Rodney with a shrug. "Whom do you mean by 'those you love?' Not Lady Rodney, surely. She is scarcely a person, I take it to inspire that sentiment in even your tolerant breast. It cannot be for her sake you bear me such illwill?",

Here and there a pack is discovered, so unexpectedly as to be doubly welcome. And sometimes a friendly native will tell him of some quiet corner where "his honor" will surely find some birds, "an be able in the evenin' to show raison for his blazin'." It is a somewhat wild life, but a pleasant one, and perhaps, on the whole, Mr. Rodney finds Ireland an agreeable take-in, and the inhabitants of it by no means as eccentric or as bloodthirsty as he has been led to believe. He has read innumerable works on the Irish peasantry, calculated to raise laughter in the breasts of those who claim the Emerald Isle as their own,—works written by people who have never seen Ireland, or, having seen it, have thought it a pity to destroy the glamour time has thrown over it, and so reduce it to commonplaceness.,

"He was standing just there," she says, pointing to the spot where first she had seen Paul when she entered the library, "with his face turned to the panels, and his hand up like this," suiting the action to the word. "When I came in, he turned abruptly. Can he be eccentric?—odd? Sometimes I have thought that——"